Knowing how they work will allow you to make your own curves and can change the way you hear you music completely. Sure, you can load presets, but they don’t always work perfectly. As always, do what sounds better to your ears.Įqualizers, or EQs, are pretty ubiquitous, a fact that’s testament to the impact it has. The best thing to do is to close your eyes and listen. Creating some custom settings and presets and being able to switch through them is ideal, so you can match them to songs, artists, or albums. Presets can work to help make things sound a little better, but it’s more of a generic fix. And many songs in both of these genres don’t follow this pattern at all, so you’ll have to adjust accordingly. Classical music has rich mids and the high end can sometimes over power, while vocal tracks focus usually on mids and highs and less on the low end. You have to tailor the preset for the music you listen to. The EQ in the StudioLive 16.0.2USB digital mixer’s Fat Channel is an example of a quasi-parametric EQ, offering a simple choice of high or low Q settings for the mid band. With the vast ranges of frequencies in any particular song, this can make a noticeable difference, or it may not. You can see that the two have similar shapes, but note that the dip into the 320 Hz and 600 Hz bands is lower in the Rock preset, and the boost in the 3 KHz band is higher. In this case, an EQ can be used to lessen and strengthen, or “cut” and “boost,” specific ranges of frequencies. You can’t move the speakers to better locations or change the layout of your seats. In your car, for example, you can’t really change how the sound travels much aside from speaker balance and fading. I don’t use gating on keyboards or acoustic guitars. There must be a reason and it has to benefit the mix. There are rarely hard and fast rules in live audio mixing so I’ll say what I can: Don’t use it just because it’s available. While still used in this way for live shows and the like, everyday listeners can use EQs to not only adjust for deficiencies in their acoustics, but for more aesthetic reasons. There is a time to use audio gating and there is a time not to. In general, you equalize for the physical space, to account for the particular combination of the room and equipment. For example, some venues will respond better to bass frequencies, so the EQ can be turned down on that end to prevent feedback and turned slightly up on the higher end to even things out. (Photo by Wikimedia Commons)Įqualizers were originally developed for physical venues such as movie theaters and outdoor areas, places that aren’t designed with acoustics in mind, to “equalize” all of the sound frequencies.
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